In my years of reading and reviewing, I consider Ursula Pflug one of my “finds”, that is, an author that I enjoy reading and want to read everything he/she produces. I was first introduced to Ms. Pflug by her 2017 novella Mountain. Down From (2018), is derived from the seeds of two short stories (“The Dreams of Trees” and “Daughter Catcher”) in this collection of her previously published works from the past decade or so. So, then, Seeds is a fitting title!There are twenty-six short stories in Seeds’ almost 300 pages, and while some are brief (“A Shower of Fireflies”) others are much longer and tell a more complete story averaging about 15-20 pages per story. Ms. Pflug’s style is a nice little mixture of literature, surrealism and sci-fi. In short, escapist reading with significance, if you will. The title story is post-apocalyptic science-fiction that seems a little closer to reality reading it in the midst of a pandemic. “The Lonely Planet Guide to Other Dimensions” has two hotels physically separated by distance, but connected by a portal:
“The hotel is a node. People from another dimension can stay here. The hotel exists in two dimensions at once, and in the other one it’s called The Red Arcade.”
What is fascinating about this story is that Rachel, living in one dimension, is writing a story about Esme, who lives in another, but they manage to meet via this portal. In “Mother Down the Well” a very different type of portal exists deep in a well on a farm in Ontario. Clarissa’s mother fell (jumped?) into it before Clarissa was born and has been living down there ever since.
My mother jumped down the well the day after her wedding to a local settler boy. Everyone thought her young husband must have been awful until a beautiful baby girl floated to the surface nine months later. That would’ve been me. Dave followed a year later although how Pa impregnated Ma once she was living down the well I was too shy to ever ask.
Pa did a fine job raising us. I think he missed my mother a lot and wished he had been able to provide whatever it was she got suckling at the portal down the well, but of course could not. Special as he may have been he couldn’t provide her with whatever other dimensional flavour it was she loved best, for it simply doesn’t exist here on Earth, not now and probably never. Ma never did tell me what it was either.
The above passage is a good example of Ms. Pflug’s pragmatic story-telling style as if things like portals and interdimensional travel are occurrences that are not unusual in themselves, they just transpose that way in the telling, like trying to explain the colour blue to a sightless person.
Is Seeds and Other Stories unusual? Yes. Far-fetched? Maybe, but not unreasonably so, I don’t believe. But this is what I so enjoy about reading Ursula Pflug. “A little bit of escapism with your literature, James?” “Yes, I don’t mind if I do Ms. Pflug, thanks.”
About the author: Ursula Pflug is author of the novels Green Music, The Alphabet Stones, Motion Sickness (a flash novel illustrated by SK Dyment), the novellas Mountain and Down From, and the story collections After the Fires and Harvesting the Moon. Her fiction has appeared internationally in award-winning genre and literary publications including Lightspeed, Fantasy, Strange Horizons, Postscripts, Leviathan, LCRW, and Bamboo Ridge. Her fiction has won small press awards abroad and been a finalist for the Aurora, ReLit and KM Hunter Awards as well as the 3 Day Novel and Descant Novella Contests at home.
- Paperback: 312 pages
- Publisher: Inanna Poetry & Fiction Series (May 1 2020)
- ISBN-13: 978-1771337458
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