Drawing on her own experiences as a woman of Iranian and British Isle descent, writer Hollay Ghadery dives into conflicts and uncertainty surrounding the bi-racial female body and identity, especially as it butts up against the disparate expectations of each culture.
Beyond the Food Court: an Anthology of Literary Cuisines showcases 14 recognized authors from all over the world who call Canada home.
The Fool is Jessie Jones’s first collection of luminous poems. When reading The Fool, I was struck with the same feelings I get when I read the poetry of Arthur Rimbaud; images bloom in each line, like dreams, making me want to reread each poem just to experience them a while longer.
it was never going to be okay is a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman.
Warrior Life: Indigenous Resistance and Resurgence is the second collection of writings by Palmater. In keeping with her previous works, numerous op-eds, media commentaries, YouTube channel videos and podcasts, Palmater’s work is fiercely anti-colonial, anti-racist, and more crucial than ever before.
Drawing on her experience as a millennial woman of colour, and writing with humour and a healthy dose of irreverence, Shafi delves into body politics and pop culture, racism and feminism, friendship and allyship. Through it all, she remains positive without being saccharine, and hopeful without being naive.
Policing Black Lives is the work of Montreal-based Black feminist activist and educator, Robyn Maynard. Maynard brings her considerable expertise to this book, which is packed with information about the history and continued oppression of Black people in Canada.
Through prose and poetry, Guyleigh Johnson tells the story of sixteen-year-old Kahlua Thomas. An absent father and an alcoholic mother leave Kahlua feeling neglected, but her real pain stems from being black.