Why I Wrote this Book Issue #46
Featuring Lindsay Zier-Vogel, Martha Bátiz, Saad Omar Khan, and Christy Climenhage
Featured posts at TMR
Featuring Lindsay Zier-Vogel, Martha Bátiz, Saad Omar Khan, and Christy Climenhage
The way Béchard tells the story ensures the reader connects with the flawed characters, the twisted settings and immerses themselves in a plot that’s both terrifying and plausible with the rate of technological advancements.
A book of extravagant fancy and heightened language with an occasional patch of straightforward prose, self-referentiality, and allusions to pop culture.
Steeped in secrets, lies, bullies, anonymous callers, prowlers, and crows, with a major plot twist that you don’t see coming
Author Emily Hepditch creates an unforgettable and suspenseful nail-biter. To begin the story, each character receives the same letter, inviting them to a grand mansion on a secluded island, Painted Place.
Excerpted with permission from Wolsak & Wynn Publishers ltd.
The Northern, which in a sense is a bildungsroman, serves also as an examination of contemporary masculinity.
Well-written, with lovely descriptive language, The Summers Between Us is a study in belonging, identity, friendship and love.
This understated depiction of mid-century Montreal queer culture feels reparative in turbulent political times.
This essay was originally published on Our Patreon in February 2025. Here it is again for AAPI Heritage Month ❤️
Ley Lines is a remarkable novel—a gold rush more Lewis Carroll than Robert Service, with hints of Homer, Dante, and possibly Jefferson Airplane.
The poems have a casual swagger and impish play with their subjects.
The REDress project documents the comprehensive use of art installation to bear witness to the rippling pain of Missing and Murdered Indigenous Women, Girls, and Two-Spirit people.