Cover of Stigmata by Scott Jackshaw. The cover is white with a drop of blood in the middle.

“Beauty in Filth, Rot in Divinity:” Stigmata by Scott Jackshaw

Their debut poetry collection, Stigmata, illustrates their prowess in queer theory, apophatic theology and poststructuralism that not only examines the tension between sexual deviancy and religion and how these two subject matters can have their own version of the profane,but also their thoughts and trying to make sense of their own being.

Cover of Dengue Boy by Michel Nieva, translated by Rahul Bery. The cover is black, with bright colourful graphics showing an insect.

Dengue Boy by Michel Nieva, trans. Rahul Bery

An object of disgust, Dengue Boy is marked from birth as an outcast. Beset by a sudden thirst for blood, which only female mosquitoes possess, Dengue Boy realizes in adolescence that she is really Dengue Girl and sets out to exact her revenge on the wealthy people and tourists for whom her mother toils tirelessly.

ANOMIA by Jade Wallace

After reviewing Jade Wallace’s poetry book Love is a Place But You Cannot Live There, I was hoping to see a sort of poetic influence reflected in this novel and it delivered. Wallace proves to be skilled in multiple genres and is a natural storyteller in all of them.

Indigiqueerness: A Conversation About Storytelling by Joshua Whitehead, in dialogue with Angie Abdou

Indigiqueerness is a lean, skinny book full of meat. At just under 100 pages, it is a comprehensive dive into who is Joshua Whitehead. And, through this vessel, what makes a storyteller?