Richard-Yves Sitoski, Wait, What?
Wait, What? is a spare book of rigorously chosen words and white space.
Wait, What? is a spare book of rigorously chosen words and white space.
Breaching borders and breaking boundaries, Xanax Cowboy is as much a play (written and directed by Green) as a poem — a performance through acts and actions.
The book includes seventy poems translated from MA Hui’s rewriting of Tsangyang Gyatso’s poetry.
In this collection of deeply personal poetry, David Adams Richards offers readers both his searing observations of and profound sympathy for those he writes of, be they his own family or animals.
An unusual poet from the Baroque period meets 21st century poet-translators in this exceptional book.
. . . though some of the poems allude to personal losses, many of the phrases allow readers to make their own connections.
Here are the titles that our team of reviewers judged the “Best Books of Poetry” of 2023.
“Beast Body Epic is for anyone who’s circled the drain or knows someone who has. The book is about having the shit kicked out of you & surviving.”
The latest poetry and artwork collection from Hana Shafi examines the unlikely connections we make to the people and places we encounter.
Brandi Bird’s long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands.
Joanne Leow’s Seas Move Away is a book that was over two decades in the making. And indeed, this slim volume has the weighty feel of much careful self-examination and reflection.
A poetry collection created from fragmented memories; a lifetime of writing. These poems show a fractured and fragile planet that is still a place of wonder and beauty.
Here Was reflects Portelli’s nomadic adventures and travels in three different continents from Ramallah to Bologna, from Toronto to Rabat, from Lisbon to Istanbul. A gripping collection that mixes existential elements with the call for social justice, and the recollections of gone by days.
Taking inspiration from Al Jaffee’s illustrated fold-ins in MAD magazine, Tysdal explores living with mental illness through a new kind of poetry: the fold-in poem.
By turns angry, powerful, visceral, evocative, and ultimately hopeful, this modern retelling of Joan of Arc in linked poems casts her as a prairie-born Jeanne Dark.