There’s Always More to Say by Natalie Southworth
With her debut collection There’s Always More to Say, Natalie Southworth demonstrates that she not only understands the skills necessary to write powerful short stories, she has no shortage of them.
With her debut collection There’s Always More to Say, Natalie Southworth demonstrates that she not only understands the skills necessary to write powerful short stories, she has no shortage of them.
So there was this moment for me where I thought: my God, everything in my life has changed, but the one thing that has held true is the presence of the Crown, and of colonialism.
Mary’s brother Jess has just returned to his hometown after serving eight years in the military in Afghanistan. His sight has been compromised by an injury, and he brings with him the body of his close friend, a fallen soldier.
As epigraphs go, Gereaux’s identifies commonplace racism circa 1869. The novel’s subsequent pair of historical settings, about four and eight decades later, suggest cultural change that could be measured in teaspoons.
From the beginning, even with them being conjoined, I didn’t want the conflict to come from discrimination or an overtly ableist world. That never felt like the story to me.
Featuring Marie-Josée Poisson, Alison Gadsby, Wiley Wei-Chiun Ho, Natalie Southworth
In recent years there has been a wealth of Argentinian horror collections from writers such as Mariana Enríquez, Samanta Schweblin, Augustina Bazterrica, as well as the anthology Through the Night Like a Snake. Added to their ranks is Tomás Downey, author of the taut and frightening Diving Board, wonderfully translated by Sarah Moses.
The unnamed narrator of this slim, stark novel is travelling by train from a small coastal town in southeastern Europe to Berlin.
Blood Bound: Unlacing Secret Ties by Marie-Josee Poisson is a work of historical fiction that reimagines the life of Madame de Pompadour, the chief mistress of King Louis XV.
Gadsby has become a diviner of sorts, and her stories a clarion call.
Stan on Guard: A Two-Part Invention by K.R. Wilson is the anticipated sequel to the Leacock nominated Call Me Stan: A Tragedy in Three Millennia.
Featuring David Martin, Mallory Tater, Kasia Van Schaik, and Barbara Emodi
The Unravelling of Ou by Hollay Ghadery touches upon mothering, sexual identity, family dynamics and voice.
Less consciously literary and considerably more pulpy than Laurence, the Jan Hilliard novel Morgan’s Castle (written by Nova Scotia-born Torontonian Hilda Kay Grant), suggests an alternative CanLit tradition to me—our dime store authors.