Why I Wrote This Book: Issue #6
While the machine of industry and paper continues on its merciless way, let’s slow down space and time itself by learning about why these Canadian authors wrote these books.
While the machine of industry and paper continues on its merciless way, let’s slow down space and time itself by learning about why these Canadian authors wrote these books.
While the machine of industry and paper continues on its merciless way, let’s slow down space and time itself by learning about why these Canadian authors wrote these books.
While the machine of industry and paper continues on its merciless way, let’s slow down space and time itself by learning about why these Canadian authors wrote these books.
While the machine of industry and paper continues on its merciless way, let’s slow down space and time itself by learning about why these Canadian authors wrote these books.
While the machine of industry and paper continues on its merciless way, let’s slow down space and time itself by learning about why these Canadian authors wrote these books.
While the machine of industry and paper continues on its merciless way, let’s slow down space and time itself by learning about why these Canadian authors wrote these books.
Uncertainty in writing is possibly the sagest teacher. I’m not talking about the blind “I …
Good Mom on Paper is a collection of twenty essays that goes beyond the clichés to explore the fraught, beautiful, and complicated relationship between motherhood and creativity.
Our words have power. How we shape them, in ignorance, or even with our best intentions, can be harmful. Like many writers, my first attempts were artless and raw. Simple and clichéd listing descriptions, they failed to capture my subject with accuracy or depth. They lacked an ability and intent to honour.
Revision is more than just polishing your writing to meet pre-defined standards—it is a crucible. This liminal refuge between mind and page is primed for transformation; the superfluous, what is unsound structurally or stylistically is seared away, so that a writer is cocooned in recomposing.
If you’ve been a member of a writing group or taken a writing course, one of the most nerve-wracking components is providing feedback for your fellow writers.
Kayla Geitzler offers excellent writing advice in her column for The Miramichi Reader.
Rick was born in Smith Falls Ontario. He belongs to the Ardoch Algonquin First Nation. His books include, I Am Algonquin (2013), Algonquin Spring (2015), Algonquin Sunset (2017) and the final and fourth book in the series, Algonquin Legacy, which is now available.
A regular feature of The Miramichi Reader, Kayla Geitzler shares her writing tips in her “Kayla Writes” column.
Ian Colford’s short fiction has appeared in Event, Grain, Riddle Fence, The Antigonish Review, The Fiddlehead and other literary publications. His previous books are Evidence, The Crimes of Hector Tomás, Perfect World and A Dark House and Other Stories. His work has been shortlisted for the Thomas H. Raddall Atlantic Fiction Award, the Relit Award, the Journey Prize, and the Danuta Gleed Literary Award. He lives in Halifax.