Through forty-two personal essays, Resonance: Essays on the Craft and Life of Writing brings together insights from writers and publishers across Canada on the practices that fuel their work.
Our words have power. How we shape them, in ignorance, or even with our best intentions, can be harmful. Like many writers, my first attempts were artless and raw. Simple and clichéd listing descriptions, they failed to capture my subject with accuracy or depth. They lacked an ability and intent to honour.
Revision is more than just polishing your writing to meet pre-defined standards—it is a crucible. This liminal refuge between mind and page is primed for transformation; the superfluous, what is unsound structurally or stylistically is seared away, so that a writer is cocooned in recomposing.
Perhaps you’ve also heard the argument that creative writing should allow space for all kinds of expression? This is true and it does. However, that argument is often used as an excuse when it comes to clichés.
If you’ve been a member of a writing group or taken a writing course, one of the most nerve-wracking components is providing feedback for your fellow writers.
Kayla Geitzler offers excellent writing advice in her column for The Miramichi Reader.
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A regular feature of The Miramichi Reader, Kayla Geitzler shares her writing tips in her "Kayla Writes" column.
Auteurship is all about striking out on your own, finding your collaborative cronies, and breaking the rules to write a space for yourself. What I call “writing you”. Except “writing you” in this context also means the bold pursuit of your art.
“What is WRITER’S BLOCK?” I think writer’s block is a lot of things. I believe it’s creative exhaustion, when you’ve pushed yourself to write for too long and need a break, it’s also stress, and day-to-day life crowding writing time. And self-doubt.
Just like every other writer, I had to perfect the rules of fine writing—and in the beginning I didn’t like it much. I struggled with two important techniques: moving out of the abstract (“unpacking”) and understanding that the reader was not in my head.
I was five years old when I decided I wanted to be a writer. To be fair, most people don’t find their calling that early in life. But the passion and fascination I’ve had for books, the literary world, and the arts, never left me. Now, as Moncton’s inaugural Anglophone Poet Laureate, a professional editor & writing consultant, as well as the host of the Attic Owl Reading Series, the writing world is my entire life. But what I want to say to you is, that this is my journey and you don’t need to be any of these things to be a writer. To be a real writer, you only need three things.