Kâ–pî–isi—kiskisiYân / ᑳ ᐲ ᐃᓯ ᑭᐢᑭᓯᔮᐣ The Way I Remember by Solomon Ratt
kâ-pî-isi-kiskisiyân /The Way I Remember is an important and unique memoir that emphasizes and celebrates Solomon Ratt’s perseverance and life after residential school.
kâ-pî-isi-kiskisiyân /The Way I Remember is an important and unique memoir that emphasizes and celebrates Solomon Ratt’s perseverance and life after residential school.
Selina Boan’s Undoing Hours foregrounds play with linguistics and poetics to explore liminalities of identity and family in the context of a half-Cree, half-white settler speaker.
John McDonald is a multidisciplinary writer and artist originally from Prince Albert, Saskatchewan. A sixth-generation direct descendant of Chief Mistawasis of the Plains Cree, John’s writings and artwork have been displayed in various publications, private and permanent collections and galleries around the world. John is one of the founding members of the P.A. Lowbrow art movement and is the Vice President of the Indigenous Peoples Artists Collective.
Creeland is a poetry collection concerned with notions of home and the quotidian attachments we feel to those notions, even across great distances.
The Narrows of Fear (Wapawikoscikanik) weaves the stories of a group of women committed to helping one another. Despite abuse experienced by some, both in their own community and in residential schools, these women learn to celebrate their culture, its stories, its dancing, its drums, and its elders.
Until the age of twelve, Georgia Lee Kay-Stern believed she was Jewish – the story of her Cree birth family had been kept secret. Now she’s living on her own and attending first year university, and with her adoptive parents on sabbatical in Costa Rica, the old questions are back. What does it mean to be Native? How could her life have been different?