Brian Isaac's powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator's wide-eyed observations of the world around him. It's 1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in the British Columbia Southern Interior.
Selina Boan’s Undoing Hours foregrounds play with linguistics and poetics to explore liminalities of identity and family in the context of a half-Cree, half-white settler speaker.
John McDonald is a multidisciplinary writer and artist originally from Prince Albert, Saskatchewan. A sixth-generation direct descendant of Chief Mistawasis of the Plains Cree, John’s writings and artwork have been displayed in various publications, private and permanent collections and galleries around the world. John is one of the founding members of the P.A. Lowbrow art movement and is the Vice President of the Indigenous Peoples Artists Collective.
Creeland is a poetry collection concerned with notions of home and the quotidian attachments we feel to those notions, even across great distances.
Kazim Ali’s earliest memories are of Jenpeg, a temporary town in the forests of northern Manitoba where his immigrant father worked on the construction of a hydroelectric dam.
The Narrows of Fear (Wapawikoscikanik) weaves the stories of a group of women committed to helping one another. Despite abuse experienced by some, both in their own community and in residential schools, these women learn to celebrate their culture, its stories, its dancing, its drums, and its elders.
In 1822, William Epps Cormack sought the expertise of a guide who could lead him across Newfoundland in search of the last remaining Beothuk camps on the island. In his journals, Cormack refers to his guide only as “My Indian.”
A narrative of resistance and resilience spanning seven decades in the life of a tireless advocate for Indigenous language preservation.
Post-World War I, the small town of Newcombe, Ontario, is in danger of dying. Remote and with fewer than 200 inhabitants, its future is spelled out: slow, drawn-out, painful death as a community. A chance meeting between Francis Barrett, an employee of the Canadian National Railway (CNR), and Cal Bannatyne, a major on his way home from the front, leads to an opportunity: getting a railway station to Newcombe, linking it to the rest of Canada, and perhaps keeping it from dying.
Every so often, Canada Reads introduces you to a book that you absolutely needed to read, it opens the world to a new voice and story and gives a book that needed a wider platform that boost. Jonny Appleseed is one of those books.
it was never going to be okay is a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman.
The East Side of It All draws on Joseph Dandurand’s first-hand experiences of life as a drug user and single-room occupant in Vancouver’s Downtown Eastside, and of the ongoing process of healing through reconnection with family, the natural world and traditional Indigenous (Kwantlen) storytelling.
Warrior Life: Indigenous Resistance and Resurgence is the second collection of writings by Palmater. In keeping with her previous works, numerous op-eds, media commentaries, YouTube channel videos and podcasts, Palmater’s work is fiercely anti-colonial, anti-racist, and more crucial than ever before.
Although the title of this book suggests sadness and shadows, it also raises awareness and hope. Here to convey the losses and changes of Tùkhòne area, Lockhart applies Japanese lyric forms with his ancestral moon movements and his lost dialect.
Taken from their families when they are very small and sent to a remote, church-run residential school, Kenny, Lucy, Clara, Howie and Maisie are barely out of childhood when they are finally released after years of detention.