It is the climate change book for our current moment, written with the force necessary to wake us from our collective slumber that has delayed action on climate change, deferring it to some unnamed later date, downloading the heavy lifting onto our children and grandchildren.
It is perhaps in the valleys between each ripple, not the peaks, that Miller does his best work. The real emotional substance of the book thrives in the quiet moments, the silence before and after the bangs.
With her debut collection There’s Always More to Say, Natalie Southworth demonstrates that she not only understands the skills necessary to write powerful short stories, she has no shortage of them.
The novel is set in 2015-2016, a time when Israeli forces began restricting access to Muslim holy sites in Jerusalem. Aziz, a young man at odds with his father, witnesses, alongside his friend Mustafa, the murder of their friend Hassan at the hands of an Israeli soldier.
Here are our best nonfiction titles of the year, chosen by our contributors!
It’s the end of 2025 already, and so the “Best of” lists are surfacing! Here are some of TMR’s Best fiction of the year, chosen by our dedicated team of contributors.
A skillful control exists over each piece, so orderly it seems random.
Below, we’ve put together a list of Palestinian books reviewed on TMR. What are you reading this week?
As the world nervously watches the fragile ceasefire between Israel and Hamas (one where the killing of Palestinians is still happening, albeit at a much slower rate), we have to begin examining how “never again” became hollowed out and meaningless.
Both a deeply-intimate story and one that rides on the tide of historical turning points, Letters to Kafka is a beautifully-rendered novel
Banging on the Walls of the Tank: Dispatches from Gaza collects the writings of Gaza-based professor of postcolonial and postmodern literature, Haidar Eid.
Each of the five stories in this collection stretch the boundaries of contemporary literary fiction and in doing so establish Galway’s unique voice and style.
© 2025| THE Miramichi Reader
