There’s Always More to Say by Natalie Southworth
With her debut collection There’s Always More to Say, Natalie Southworth demonstrates that she not only understands the skills necessary to write powerful short stories, she has no shortage of them.
With her debut collection There’s Always More to Say, Natalie Southworth demonstrates that she not only understands the skills necessary to write powerful short stories, she has no shortage of them.
The novel is set in 2015-2016, a time when Israeli forces began restricting access to Muslim holy sites in Jerusalem. Aziz, a young man at odds with his father, witnesses, alongside his friend Mustafa, the murder of their friend Hassan at the hands of an Israeli soldier.
Life is wonderful and challenging, complicated and hard. That much you might easily take away from the title of Lynda Williams’s debut short story collection, The Beauty and the Hell of It.
Okot Bitek’s writing is unapologetic as she reckons with the legacy of the Lord’s Resistance Army: a militant group that abducted tens of thousands of children to serve in its ranks between the late 1990s and early 2000s.
The five sections of selections that make up her debut explore the connections we make along our journey and how they continue to affect us long after they become memories.
Chimwemwe Undi’s first poetry collection, Scientific Marvel, examines common experiences and elevates them with a musical quality that moves.
Colleen Coco Collins features an alphabetical array in her debut collection of poetry: Sorry About the Fire, a singeing apologia of inventive sound and sensuousness.
The debut novel Nothing in Truth Can Harm Us from author Colleen René is a wonderful work in balancing tension and intrigue with the complexity of compassion.
At 40 pages, Smoked Frames is a slim debut book of poetry written over the coarse of 4 years.